In collaboration with acclaimed literary journal Poetry International, I graphically interpret Crying With Glasses On, a poem retrieved from the thousands of works logged in the journal’s archives, as a 13" x 19" poetry broadside poster. While browsing the numerous works, author Eric McHenry’s skillful application of literary devices and writing technique captured my attention. Accordingly, I translate the message of his poem through a manipulation of type and image.
I challenge myself to utilize photography and collage, two artistic mediums with which I am largely unfamiliar, as the foundational elements of this broadside poster. I experiment with a number of title arrangements; some are entirely digital while others incorporate physical media. Ultimately, I opt to photograph a newspaper-cutout collage as seen through a teary eyeglass lens: the handcrafted quality not only invokes McHenry’s nostalgic literary imagery, but also the immediacy of his emotional turmoil. In this case, the tears that obscure forms on the page allude to his despondent tone and, by extension, his muddled view of the future.
In order to integrate the title into the collage, “Crying” is pieced together with magazine cutout letters, while “With Glasses On” is rendered in an italicized Hoefler Text. This serif typeface—with which the poem itself and a portion of the title are designed—affords the poster a personable feel, as if the lines of text are extracted directly from a novel. Likewise, the handwritten typeface, Rollerscript Rough, is arranged sparingly across the page and contributes to the poem’s intimacy.
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