Affordable. Accessible. Sustainable. Quality. Apparel. fabrik: the fast fashion factory flea is exactly like what it sounds: a flea market that recycles apparel procured from fast fashion retailers that would otherwise dispose of their excess merchandise. Located inside a refurbished warehouse in the heart of Los Angeles’ produce district, fabrik meshes the affordability of outlet prices with the interactivity of a marketplace environment.
'Fa-brik is the syllabic spelling of the word “fabric,” defined by Merriam-Webster primarily as an “underlying structure : framework.” “Fabrik” also means factory in German. After experimenting with a plethora of logotypes, fabrik seemed to be the perfect fit for the brand. It’s concise, and straight to the point; fabric, after all, comprises the products that the brand procures. Additionally, I develop geometric icons to discern different kinds of garments: emblematic clothing cutouts are overlaid onto an abstracted human icon, a figure integral to the identity system.
In order to flesh out the event’s identity, I apply the logotype and icons to a variety of advertising mediums: banners, directional signage, and standalone wooden structures. I render each application in Adobe Dimension to capture a more thorough picture of the brand.
The zine is another key element to the brand story. Here, I delve into the meaning of fabrik and disperse brand elements across the spreads. I also photograph the models in chic fast fashion merchandise—the kinds of garments fabrik would procure—so as to appeal to the target demographic: teens and young adults who are in the market for affordable, trendy clothing.
The final branding utilizes a Helvetica-adjacent display font, Coolvetica, for the logotype and Helvetica Neue for all body text. In order to fortify the brand’s contemporary aesthetic, emphasized especially by the ubiquitous Helvetica derivatives, I color the iconography and enlarged callouts a bold orange and bright pink.
With regard to the brand story and target demographic, I imagine the event entryway in a refurbished warehouse setting: a cement foundation; large, paneled windows lodged in thick steel frames; and trusses of bright fluorescent lighting affixed to high ceilings. Brand elements rendered in vinyl decorate the walls and floor, and a central, lozenge-shaped kiosk channels pedestrians around the periphery of the space so as to engage them in the design system and, by extension, the fabrik experience.
Written for The New Yorker in 2018 and later expanded into a full-fledged novel of the same title, Michelle Zauner’s Crying in H Mart is both an endearing and heart-wrenching...
In this semester-long typographic exploration, I construct an alphabet—2 letters per week—using basic shapes and lines. I apply my finished letterforms to a...
Written for The New Yorker in 2018 and later expanded into a full-fledged novel of the same title, Michelle Zauner’s Crying in H Mart is both an endearing and heart-wrenching...
In this semester-long typographic exploration, I construct an alphabet—2 letters per week—using basic shapes and lines. I apply my finished letterforms to a...